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  <body>&lt;p&gt;&lt;br /&gt;
&lt;a href="http://www.boyeatsdrummachine.com/ "&gt;Boy Eats Drum Machine&lt;/a&gt; in-studio @ OPB, 9-18-08. Native Portlander Jon Ragel has made music under the name Boy Eats Drum Machine for the last eight years. After recording a few demos, he released his first official album, &lt;em&gt;Pleasure&lt;/em&gt;, in 2005, which he followed up last year with &lt;em&gt;Two Ghosts&lt;/em&gt;, a concept album chronicling a pair of ill-fated lovers in a dystopian, not-too-distant future. His latest release, &lt;em&gt;Booomboxxx&lt;/em&gt;, comes out this month on Portland label &lt;a href="http://www.tenderlovingempire.com/"&gt;Tender Loving Empire&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Ragel makes his music using guitar, keyboard, sax, a turntable/sampler combo, and uses beats culled from Portland drummers in a collection called &lt;a href="http://www.bridgetownbreaks.com/"&gt;Bridgetown Breaks&lt;/a&gt;. He performs live using a bed of prerecorded tracks and an array of instruments around him, turntable included. He talks about the new record, learning the turntable as a &amp;quot;virtuoso instrument,&amp;quot; the Portland music scene's evolution over the years, and the perennial Stones vs. Beatles vs. Milli Vanilli debate.&lt;br /&gt;
&lt;br /&gt;
Recording engineer: Steven Kray, with assistance from Randy Layton.&lt;/p&gt;</body>
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  <summary>&amp;nbsp;</summary>
  <title>Boy Eats Drum Machine</title>
  <updated-at type="datetime">2008-11-12T17:04:47-08:00</updated-at>
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