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  <body>&lt;p&gt;San Francisco-based Nyles Lannon in-studio, 9-20-07&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nlannon.com/"&gt; Nyles Lannon&lt;/a&gt;'s music is one of those sonic concoctions that routinely inspires entirely new descriptors. &amp;quot;Folktronica&amp;quot; and &amp;quot;lap-top pop&amp;quot; are just a couple of the labels that have been offered in attempts at defining his art, which might be said to combine the hushed, autumnal tones of &lt;a href="http://www.sweetadeline.net"&gt;Elliott Smith&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/Simon_%26_Garfunkel"&gt;Simon &amp;amp; Garfunkel&lt;/a&gt; with the 21st century-leaning blips and beeps of &lt;a href="http://www.grandaddylandscape.com"&gt;Grandaddy&lt;/a&gt; and &lt;a href="http://www.sparklehorse.com"&gt;Sparklehorse&lt;/a&gt;. Throw in some latter-era Beatles and you might have something close to Lannon's stew, the latest manifestation of which is &lt;em&gt;Pressure&lt;/em&gt;, recently released by the Portland-based &lt;a href="http://www.badmanrecordingco.com"&gt;Badman Recording Co.&lt;/a&gt; Touring with a full band playing his one-man bedroom creations, Lannon stopped by our studios for a performance and interview.&lt;/p&gt;</body>
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  <summary>&amp;nbsp;</summary>
  <title>Nyles Lannon</title>
  <updated-at type="datetime">2008-11-12T16:24:01-08:00</updated-at>
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