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  <body>&lt;p&gt;&lt;img align="right" alt="" src="/uploads/Image/neworegon.jpg" style="width: 113px; height: 151px;" /&gt;This past Wednesday marked the first installment of an ambitious new interview series &amp;ndash; one covering all local topics from fashion to food to music. &lt;a href="http://www.2gq.org/neworegon.html"&gt;New Oregon Arts and Letters&lt;/a&gt;, an organization formally known as 2GQ, hosted a small crowd at Urban Grind NE and brought three infamous names in Northwest music to the stage: Alicia J. Rose, Slim Moon and Mic Crenshaw. The evening consisted of analyzing and dissecting the Northwest music scene from all angles (&lt;em&gt;Do you have to leave Portland to achieve greater success? Are we like Seattle? Olympia? And of course, the gender-question Alicia J. Rose obviously gets often, How is it being a woman in the industry?&lt;/em&gt;)  &lt;br /&gt;
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&lt;strong&gt;&lt;img width="300" height="225" align="left" alt="" src="/uploads/Image/slimmoon.jpg" /&gt;Slim Moon&lt;/strong&gt;: &lt;br /&gt;
If you don&amp;rsquo;t know who this guy is, but have ever listened to any of the following bands, such as, oh I don&amp;rsquo;t know, Bikini Kill, Unwound, Sleater-Kinney or Elliot Smith, he&amp;rsquo;s had something to do with your music taste. He founded Kill Rock Stars, the punk-rock based indie-record company in 1991 and currently &lt;a href="http://www.shotclockmanagement.com/"&gt;manages&lt;/a&gt; bands like The Portland Cello Project. &lt;br /&gt;
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Slim is, without a doubt, a huge part of what Northwest music means. His presence is composed, his hair buzzed short, and self-describes himself as a &amp;ldquo;coach&amp;rdquo; to bands. &amp;ldquo;Every band is a business,&amp;rdquo; he said while describing his current role as a band-manager (even though he hates that title). He used to think a key-part of good business practice was &amp;ldquo;an honest handshake&amp;rdquo; but over the years has learned how important very, very clear communication is. Two parties, he says, can walk away after the handshake with such different expectations. It&amp;rsquo;s a good idea; for example, to put it in writing when something happens like a song gets assigned to a movie. However, No one predicted that this thing called the Internet would be invented, he said, and the backbone of the recorded music industry would succumb to iTunes downloads. &lt;br /&gt;
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&lt;strong&gt;&lt;img width="300" height="250" align="left" alt="" src="/uploads/Image/alicia2.jpg" /&gt;Alicia J. Rose:&lt;/strong&gt; &lt;br /&gt;
She is a firecracker and doesn&amp;rsquo;t worry much about how technology affects the industry, partially because her corner of it -- more or less -- hasn&amp;rsquo;t changed since the dawn of time. People will constantly try to figure out how to sell recorded music, she says, but getting up on a stage to perform is what it is. &lt;br /&gt;
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This tall, black-haired LA-native moved to Portland in 1995, and garnered wide-attention once she landed the job as talent buyer for The Doug Fir Lounge. &amp;ldquo;I told them I was their secret weapon,&amp;rdquo; she said with her wide smile. The interviewer pointed out in the beginning of her interview that VenusZine once labeled her as &amp;ldquo;a gatekeeper&amp;rdquo; and asked her to respond to that. &amp;ldquo;All of my jobs &amp;ndash; djing, distribution, booking &amp;ndash; my ears have gotten me the paycheck&amp;hellip; I want to create programming that I want to go to. And I figure, like any gatekeeper should, if you can please yourself, you&amp;rsquo;re on a good path. We&amp;rsquo;re all probably the biggest pains in the asses we know, right?&amp;rdquo;&lt;br /&gt;
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Then the gender-question came, how is it being a woman in this position of power? &amp;ldquo;I think the question should be, &amp;lsquo;What&amp;rsquo;s it like being an accordion player?&amp;rsquo;&amp;rdquo; she said coyly. She&amp;rsquo;s also a hellava &lt;a href="http://www.aliciajrosephotography.com/home.html"&gt;photographer&lt;/a&gt; too. She said that two things have made it possible to succeed in the business: learning to say no, and being loyal for whom she works. &lt;br /&gt;
&lt;br /&gt;
She&amp;rsquo;s currently working with Viva Voce on their upcoming music video and after leaving The Doug Fir at the end of 2008, &amp;ldquo;poured her life&amp;rsquo;s savings&amp;rdquo; into Mississippi Studios as a co-owner. &lt;br /&gt;
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When asked about her thoughts on Portland&amp;rsquo;s music-scene staying power, she responded with her theory that due to the relatively cheaper-cost of living, a lot of artists who are creating music and art own houses here, and aren&amp;rsquo;t likely to be as mobile. So yes, lots of artists will continue to foster their careers while living in Portland. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;&lt;img width="250" height="250" align="left" alt="" src="/uploads/Image/miccrenshaw2.jpg" /&gt;Mic Crenshaw&lt;/strong&gt;:&lt;br /&gt;
&amp;rdquo;None of the people I know making music own houses,&amp;rdquo; he said in response to Alicia&amp;rsquo;s theory. &lt;br /&gt;
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&lt;a href="http://www.myspace.com/miccrenshaw"&gt;Mic Crenshaw&lt;/a&gt; was born on Chicago&amp;rsquo;s South Side.  He has been an emcee in Portland since moving here from Minnesota more than 10 years ago. He has lyric-battled with Wyclef Jean (while Lauren Hill was watching, no less) and has shared the stage with Outkast and Wu-Tang Clan. Although I couldn&amp;rsquo;t see the race of every audience member, he very likely could have been the only black man in the room. &amp;ldquo;Being a hip-hop artist, I&amp;rsquo;m used to not fitting in,&amp;rdquo; he said with a laugh while describing how white Minnesota and Portland are. &lt;br /&gt;
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He touched briefly on race and class issues and made the point a few times, how small the urban-music scene is here. &amp;ldquo;For better for worse, it&amp;rsquo;s a blessing and a curse.&amp;rdquo; &lt;br /&gt;
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Does he think hip-hop artists have to leave Portland to achieve wider success?  He responded with a confident, &amp;ldquo;Yes.&amp;rdquo; &lt;br /&gt;
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Portland forces people to be more creative and self-reliant, he said, but still doesn&amp;rsquo;t have the support that larger markets, like, say New York, Philadelphia or LA have. &lt;br /&gt;
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Mic just released his first full-length album, Thinking Out Loud, and is working day and night to open a charter high school with a focus on preparing kids for a career in the recording industry.  &lt;br /&gt;
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The next New Oregon Arts and Letters Interview Series will discuss film on July 29. They plan to publish a book in addition to hosting live interviews. You can find more information &lt;a href="http://www.2gq.org/neworegon.html"&gt;here&lt;/a&gt;.&lt;/p&gt;</body>
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  <commentable-until type="datetime">2009-07-10T19:00:43-07:00</commentable-until>
  <created-at type="datetime">2009-06-26T19:00:43-07:00</created-at>
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  <id type="integer">539</id>
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  <published-at type="datetime">2009-06-26T19:00:43-07:00</published-at>
  <summary>New Oregon Arts and Letters hosted a small crowd at Urban Grind NE and brought three infamous names in Northwest music to the stage: Alicia Rose, Slim Moon and Mic Crenshaw.</summary>
  <title>Misc. Msic. : A Conversation about the State of Local Music Featuring Alicia Rose, Slim Moon and Mic Crenshaw</title>
  <updated-at type="datetime">2009-12-11T14:49:20-08:00</updated-at>
  <user-id type="integer">962</user-id>
</entry>
